Anthony is an award winning New York based designer whose credits include: Two Jews, Talking (Theatre at St. Clements), Fire Island The Musical (Theatre Row 42nd Street), L’Amour à Passy (A.R.T.), The Sea Lady (Metropolitan Playhouse), Ludwig And Bertie (Theater For The New City), Little Women: The Broadway Musical (Gallery Players), Tour: Julius Caesar (Hudson Valley Shakespeare Festival); An Inspector Calls (Peterborough Players); The Tempest (Titan Theatre Company); Hydrogen Jukebox (Chautauqua Opera). Film Design Credits include Camp Wedding (2019), The Pit and the Pendulum: a musicabre (Short 2022); M.F.A. Purdue University.
Recent credits include: Pulitzer winner Nilo Cruz’s production of Sotto Voice (TNC/MDCA), Tally’s Folly starring Jude Hirsch (HB Studios Theater), the premieres of Mario Fratti’s Three Sisters and a Priest, Eduardo Machado's NOT ABOUT ME and TNC’s LES and DREAM UP FESTIVALS, A Streetcar Named Desire (Cherry Lane) Lillian Yuralia (La Mama) directed by Austin Pendelton, Orson’s Shadow by Austin Pendelton (Theater Row) Obama in Naples (Abingdon Theater). He is currently the Theater Technical Coordinator at NYC Parks (Von King Cultural Arts Center) Upcoming shows: African Peach and How to Make Friends and Kill Them.
Off-Broadway: Lord Nil: 7 Deadly Sins, Conversations with Mother, Music City, Tom Stoppard’s Arcadia, Ashes & Ink, The Miser (Molière in the Park), and Small Acts of Daring Invention. Tours: RuPaul’s Drag Race: Werq The World and Drive n’ Drag, Canada’s Drag Race: Live at the Drive-in, HERO: The Boy from Troy, Ruben Studdard & Clay Aiken: Twenty, Lea Salonga: Dream Again and Human Heart. This marks Mitchell’s third collaboration with playwright Doug Lackey.
Douglas Lackey is a Professor of Philosophy at Baruch College and the Graduate Center, City University of New York. He has brought seven previous plays to the stage, from Kaddish in East Jerusalem in 2003 to Four Evangelists Walk into a Fog in 2025. “My goal,” Lackey writes,” is to write plays with exciting stories, smart characters, and sharp dialogue. The reviewers report that my plays are full of philosophical ideas. So be it. I’m tired of plays about dysfunctional families and jumbled identities. For me, ideas are more exciting. History is more exciting. I want characters that can think.”
Hans Litten is the sixth play by Douglas Lackey that Harrington has directed. His work has been seen at New York theaters including the Metropolitan Playhouse, La MaMa, The Culture Project, Queens Theatre, and The Actors Studio. Regionally, he has directed in Maryland, New Hampshire, Upstate New York, New Jersey, and North Carolina.
Designing sets, special effects, and graphics for stage and video productions since the late 80's, Alex Roe is best known in New York for transforming the space and giving life to the online presentations of Metropolitan Playhouse.
Jessica Crandall is a singer and actress. Her singing has been called “exquisite” (Inside Press), her acting “luminous” (theaterscene). Nominated for an Innovative Theatre Award (Outstanding Featured Actress) for Cassandra in Agamemnon at La MaMa. Other roles: Alma in Tennessee Williams’ Summer and Smoke for VOICETheatre; Rose of Sharon in The Grapes of Wrath at Trinity Rep; Antigone in Burial at Thebes at La MaMa. Resident artist with Phoenix Theatre Ensemble. Her album, “I So Liked Spring: Jessica Crandall Sings Music by Ellen Mandel,” can be found on YouTube, Spotify and Apple Music.
Elena Genao (Assistant Stage Manager) is an early-career stage manager based on Long Island. Her credits include The Lucky Ones, Richard II (Boomerang Theatre Company), PIETAMIMA (Latinx Playwrights Circle), Eboné (New York Theater Festival), Angels in America Part One: Millennium Approaches, Is Cry You Cry’n (Brown University). B.A. Brown University.
Abigail Kastenberg (she/her) (Production Stage Manager) is thrilled to be a part of this remarkable company! She is a stage manager and member of the Aporia Artists Collective. Other credits include: Off-Off Broadway: Unsex'd (Under St Marks), Richard II (Boomerang), Agamemnon, Fools in the Forest. Selected Regional: King Lear (Delaware REP), Cry Baby (CAP21), Merry Wives of Windsor (Fever Dream Rep), Camp Siegfried (Theatre Exile), All That Fall, A Seance for Mae West, But Not Uncle Vanya (Aporia Artists Collective), Twelfth Night, Romeo and Juliet (Indecorous Productions), Acute Exposure (Richmond Triangle Players). Much love to the Hans Litten team, friends, and family!
